- Toon boom studio 8 tweening movie#
- Toon boom studio 8 tweening pro#
- Toon boom studio 8 tweening software#
We worked together on a production process. And it is on this occasion that I met Tanguy, then at Prima Linea.
Toon boom studio 8 tweening movie#
It got me selected for Cartoon Movie in 2018. At that time, I had Toon Boom Animate, on which I developed a morph-based technique - with which I made a teaser entirely on my own in three months after developing my characters and scenery. Developing a unique style of my own, in parallel with a particular technique. The work on the decorations and especially on the style, it is what is most important for me. Murakami and that is what he liked.įor this project, apart from the script, which was a huge job, I created what can be called a graphic bible. I was making little vignettes about urban loneliness.
Toon boom studio 8 tweening software#
I started working with an early version of Toon Boom’s software called Toon Boom Studio. I was born into it, I always had animation as a kind of background. I was painting at the time and making music, since I am first and foremost a composer. PF: I worked on my own for about 18 months, but while doing other things. But when you come up with such an ambitious animation project, which is not a film for children, you are confronted with reluctance. But no… I was new to animation I was a bit naive. I thought that with a name like that behind me, I would snap my fingers and the producers would rush in. I was living in Budapest at the time, I worked at first without looking for financing. Pierre Földes: Before I optioned for the rights and got Haruki Murakami’s agreement, I had to do some development to convince him, his agents, and his studio. Before working on the project with Miyu, you had already worked alone for several years on Blind Willow, Sleeping Woman. Official trailer for Blind Willow, Sleeping Woman.
Toon boom studio 8 tweening pro#
You can find the original text published by our colleagues at Canopea Formation, which helps studios in France, Belgium, Luxembourg, Sweden, and the Netherlands integrate Harmony and Storyboard Pro into their production pipelines. The following interview was translated from French. They discussed the film’s distinctive animation style and process, as well as its journey from a single creator’s project to working on a shared vision with a larger team. Veronique Dumon spoke with Pierre Földes, (the film’s writer, director and composer), Tanguy Olivier, (production manager at Miyu), and Emmanuel-Alain Raynal (producer), to discuss the project which began 8 years ago. Pierre Földes adapted the script from a collection of 6 short stories by the famous Japanese author Haruki Murakami, including the eponymous story where a lost cat and a giant frog help a meek bank employee, his frustrated wife and a schizophrenic accountant save Tokyo from an earthquake and find meaning in their lives. This is also the first feature film from Miyu Productions, which has a decade of experience in television and critically-acclaimed short films, and is co-produced with Cinema Defacto. Blind Willow, Sleeping Woman (Saules aveugles, femme endormie) is the first animated film directed by composer Pierre Földes.
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