- #Does eastwest quantum leap work with reaper full version#
- #Does eastwest quantum leap work with reaper manual#
- #Does eastwest quantum leap work with reaper full#
- #Does eastwest quantum leap work with reaper professional#
#Does eastwest quantum leap work with reaper manual#
The manual gives a clear and logical (though sometimes cryptic) list of all the variations in playing style, but says nothing about the instruments themselves. As a result, there are no sampled licks, chords, mood pieces or full-orchestra tutti effects instead, the library concentrates on providing users with a wide and expressive range of multisamples.
#Does eastwest quantum leap work with reaper professional#
Professional composers chasing deadlines don't have time to wade through countless Gigabytes of material to find the sound they need, so the producers' philosophy regarding performances has been to focus on what they consider the most useful and expressive articulations, with an unashamed bias towards Hollywood film scoring. These reverb-only samples, which sound only when keys are released, are cleverly programmed to match the level of their corresponding samples, and you can edit their volume, decay and pan settings, or even turn them off altogether! For further realism, the makers have attached release trails (aka 'release triggers') to the library's presets to show off the sound of the concert hall.
#Does eastwest quantum leap work with reaper full#
The library's presets preserve these placements, so users can build up a full orchestral mix with ease. Professor Keith O Johnson (centre, grey shirt and glasses) can be seen fine-tuning the mic positions.ĭuring the recordings, the musicians took up their normal orchestral stage positions (violins and French horns stage right, violas centre stage, double basses and trombones stage left, and so on). Placing the stage mics at the Symphonic Orchestra sessions. This enables users to adjust the mix of close, stage and hall 'surround' sound to their own taste, and allows the construction of 5.1 mixes.
All the recordings were made simultaneously from these three positions, creating three stereo versions of each sample. The orchestra's performances were recorded from three different positions in the concert hall, referred to as 'C' (close), 'F' (full mix, derived from clusters of stage mics) and 'S' (surround, from elevated mics near the back of the hall). The text is well written, and affords Professor Keith O Johnson the chance to give a spirited account of his multi-miking methodology. Each comes in a large box covered in glossy artwork showing (for reasons of confidentiality) a different concert hall from the one used in the library! Inside are the library's 19 DVDs and an A5-sized, 126-page operation manual which covers the whole set (the manual is identical whichever volume you buy). The Full PackageĮWQLSO is divided into four volumes, Strings, Woodwinds, Brass and Percussion. Note, however, that smaller versions of the library are also available for those on a budget (see the final page of this review for more details).
#Does eastwest quantum leap work with reaper full version#
The full version of the finished symphonic extravaganza weighs in at around 67GB (second in size only to the efforts of the Vienna Symphonic Library), and in terms of size and scope alone, must be considered a leading contender for any work requiring orchestral samples.
Recording started in August 2002, the orchestra giving up their Summer break to the sampling sessions, and editing the resulting multi-channel recordings lasted nearly another year.
For the library to live up to its creators' ideals, it was imperative to find a concert hall with great acoustics, and they seem to have succeeded, although for contractual reasons, the identity of the 2500-seater hall and its resident orchestra remain a mystery. Making a library of this quality is not the sort of project you undertake on a spare weekend - in fact, making EWQLSO took a year of recording, editing and programming. This ambitious project was conceived by two American producers, Doug Rogers and Nick Phoenix (respective heads of the East West and Quantum Leap sample library empires) and brought to fruition by Grammy-winning recording engineer Professor Keith O Johnson. The goal behind the vast East West/Quantum Leap Symphonic Orchestra library (or EWQLSO to its friends) was to create a 24-bit orchestral sample library which could be reproduced in surround sound. It's another multi-DVD orchestral library! Does it merit a thunderous introductory timp roll or a feeble tap on a vibraslap?
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